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Now We Are Schwa

by Schwa

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1.
Alfred J 05:53
Why don't we go out tonight when the stars are smashed against the sky like a windscreen smithereened across a city pavement. Let us stroll through ginnel creeks and cobbled streets where black rain beats on manhole covers and oily pools reflecting derelict Victorian schools. Streets that stream and slope past these gritstone curbs to a Saturday night-bright city centre. Do not ask me if you are dreaming. Your hands are warm, your heart is beating. In the street the people come and go, surfing the Pinot Grigio In the street the people ebb and flow, caught in the high street undertow. For I have known it already, known it all, trawled the skies on low-cost long-haul flights; I calibrate my life in gigabytes. Is it the pattern on your dress That makes me talk like this? Don't get old, don't get old. Skin wears thin and your lips get cold. Don't get old, don't get old. Mind cuts loose and your house is sold. For I have heard it already, seen it all, seen the world on high-res wall-mount screens. I have plotted out my life in pixel dreams. Is it the glitter on your throat That makes my senses float? In the street the people come and go...
2.
Six O'Clock 03:23
Lyn walks Chalkie in the park, a chilly rain comes drifting down. Six o'clock, Autumn night in Chapeltown. Lamplight gleams on red brick walls, at Asap Stores Amina stops for pick and mix and checks the ad for PayDay Loans. Della kicks an empty can down Hilton Road. And at the corner by the church at the back of Shepherd's Lane Levi nods and high-faves Shane. Six o'clock. The terraced city shelves and stacks its schools and banks and back-to-backs. Della checks her phone. Lyn calls Chalky, heads for home.
3.
Gramophone 03:15
The sushi were delicious, he pronounces. Drains his Amstel as he pays the bill. Guides her to the exit where he announces He owns a street of houses in Fearnville. Back of the taxicab, he strokes her hand, Talks about his trip to South Korea. She gazes at the inlay on his ring. Hears him shout the driver, 'You can drop us here'. When Lynsey Bonham hits the bottom back in her basement on her own, she pours a glass of Californian White and puts a record on the Gramophone. Lynsey brings her weary eyes to rest on Daniel's vintage vinyl collection. He never took them with him when he left. Donna Summer. T-Connection. Lynsey Bonham in her basement dancing on the parquet on her own. Drains a glass of Californian White and puts a record on the Gramophone.
4.
Rag 03:39
Love is a many-splendored thing, she said, Sitting in a corner at The Duchess, now she's dead. HURRY UP PLEASE IT'S TIME HURRY UP PLEASE IT'S TIME HURRY UP PLEASE IT'S TIME HURRY UP PLEASE IT'S TIME OOO that cerulean blue OOO that cerulean blue Of the Shlachtensee. We were there, you see. OOO that serendipitous blue I am not well tonight, not well. I am falling down a well. Well, I am falling. It is so very dark, you see, so dark. I cannot see, let me out of here, catch me. What is my address? Count backwards from twenty. Is that the wind again? Who is the reigning monarch? Why are you asking me? Why is a lion like a wolf? OOO that cerulean blue OOO love was right, love was true On the Wannsee. Berlin, nineteen-twenty. OOO that cerulean blue
5.
Briefly, in a dream or memory, in a winter that is tired and grey, the dying sun will find the mountain setting the snow on fire. All shall be well, all shall be well. And all manner of thing shall be well.
6.
The Creel 03:05
Lyrics by kind permission of Kathleen Jamie, from The Tree House (Picador Poetry)
7.
Bones 03:35
Lyrics drawn from Carl Sandburg's poem "Bones" (Harcourt)
8.
The Dipper 03:20
9.
Slow Cooker 04:18
Put the good things you got - in the pot. Turn on the heat. Low. Herbs and spices. All things nices. Put on the lid. So. Salt and pepper, bubble and simmer, now just turn and go Oh Oh Oh I'm a slow o o cooker No need to fret, stir me a bit. Then let me sit – all day. Go for a run, when you return, Mmm smells so good! You say. No excuses, for all these juices. And they're all for you. Oh Oh Oh I'm a slow o o cooker Oh Oh Oh I'm a slow o o cooker I got tired of the clock Clock's not where I'm looking Time's gonna go. So? I'm fine I'm slow cooking Toss all your griefs into the feast Dreams and disasters. Dare. False positions, failed ambitions Great loves and lost loves. Yeah. Wanna savour life's deep flavours? There's time to taste them all. Oh Oh Oh I'm a slow o o cooker Oh Oh Oh I'm a slow o o cooker Oh Oh Oh I'm a slow o o cooker
10.
When you pass me by at the grocer, I'm the batty old girl in the queue, How could you know when I go home The things I get up to. Oh the touch of my skin on the paper More electric than any man's kiss. When the poem comes and the hot ink runs There is no bliss like this. No bliss like this. No bliss like this. Poem comes and the hot ink runs There is no bliss like this.
11.
Happiness 04:43
I go out bare-footed holding a parasol, to see the children singing as they tread the water-wheel. Ah, is this not happiness? To cut with a knife a bright green water-melon on a summer's afternoon. Ah, is this not happiness? To discover accidentally in an unexpected place a letter from an old friend. It makes you laugh. Ah, is this not happiness? I am drinking on a winter's night and note it's turning cold. I open a window. Snowflakes are drifting down. Ah, is this not happiness? To return from a foreign journey, come through the towngate To hear familiar voices speaking your dialect. Ah, is this not happiness? I lie in bed in the morning after one whole month of rain. Today the birds are singing. A change in the air. Ah, is this not happiness? A friend I haven't seen for years turns up at sunset. We repair to the inner chamber with a gallon of wine. Ah, is this not happiness? It's a hot day in June, not a whiff of breeze in the air. Suddenly a rumble of thunder. Cool rain comes down. Ah, is this not happiness?

about

Contact Peter and Richard: info@schwa.space

credits

released April 6, 2016

Peter Spafford: piano, keyboards, voice.

Richard Ormrod: flute, alto flute, clarinet, alto sax, tenor sax, baritone sax, trombone, accordion, guitar, acoustic bass guitar, keyboards, drum kit, percussion, and voice.

Barkley McKay: guitar on Bones, voice on Rag.

Recorded and mixed by Barkley McKay at Valley Wood Studio, Leeds.

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about

Schwa Leeds, UK

Welcome in Schwa: Peter Spafford writes poetry and plays the piano; Richard Ormrod plays other instruments and arranges tunes. More recently, Jacqui Wicks sings and plays the ukulele.

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